ok.. is this real?
(((Globalists))) discuss how to subvert Poland and destroy the Polish people
youtube.com
(((Globalists))) discuss how to subvert Poland and destroy the Polish people
it is bro we even doxed a lot of them
if you want to do your own investigation just run the names that show up in the vid or on the namecards and let the rabbit hole dig itself for you
I found some fucked up connections around the globe doing this all last night, about to make a move on a local target from what I gathered
This organization was involved in the Russian Revolution. So if any faggot larping shills say they are nobodies, piss off.
noice. maybe drop your info on here later, names addresses, #numbers whatever you got. The jews simply cannot be allowed to win on this timeline.
>literal fucking round table meeting
And they're not even hiding it
Poolan' is doomed
>Again
It's like model UN thing students used to do but they are larping as learned elders.
Funny thing is that German tax's pay everyone's salary there
Its not real - its an art exhibit. At the same time it could be one of those avant-garde political techniques to rustle jimmies
>Its not real
says increasingly nervous jew for nth time
the thumbnail makes the table look like fried eggs
ident them
call in the Russian
skin head killers
GG
The amount of cope in this post- Delicious!
What's it from? Who broadcasted it?
Goethe Institute
The Holocaust was just an art exhibit too then, I suppose.
Afraid poolaks prefer shitskins as poo's better than their bros slavshits mongoloids
It was created by a set designer as some kind of exhibit.
Fake and rarely see Jow Forums using did or the like. Sounds like a reddit fag.
Wtf is is it?
This thread again
>ok.. is this real?
No, it's literally an art project, not even joking
Here is the websiteartmuseum.pl
And here is the artist's wiki pageen.wikipedia.org
She even won prizes for this project
>Between 2006 and 2011, she was working in Poland, creating the trilogy And Europe Will Be Stunned,[3][4] which examines 19th- and 20th-century Europe as a historic homeland for Ashkenazi Jews. This is a project on the history of Polish-Jewish relations and its influence on the contemporary Polish identity. The trilogy represented Poland in the 54th International Art Exhibition in Venice (the Venice Biennale, 2011). In recent years, she has increasingly staged her films, and proposed utopic narratives for new chapters of history