I rewatched The Sopranos recently, the first time since I got wise to race, the JQ, etc. I am now convinced that David Chase (the show's creator) is /ourguy/. I don't just mean that the show was relatively honest about race (The Wire), or that it's irreverent and politically incorrect, or that it dealt with themes that are of interest to people with "far-right" political beliefs (Mad Men). I mean that the show is, to a large extent, ideologically far-right, white nationalist, alt-right, whatever label you want to use. If you watch the series with this in mind, you'll see exactly what I'm talking about. In this thread I'll break down some general themes of the show relating to this and give some specific examples of what I mean.
JEWS
Hesh Rabkin
Basically an antisemitic caricature. Made his fortune by scamming black singers out of their royalties. Extremely cheap. Passive-aggressive. Aggressive Zionist. Ripped off Tony's father's mistress for a large sum of money. When an Indian compares Columbus to Hitler, Hesh accuses him of being an antisemite. The Soprano family relies on him for money; he's basically a banker.
Noah Tannenbaum
Meadow's black Jewish boyfriend at Columbia. Is a pretentious douche. His wealthy Jewish father has "friends" who work at NBC. Is duplicitous and conniving. Breaks up with Meadow in the most passive-aggressive and cowardly way imaginable. It's revealed later that he's working for the United Nations.
Jews and Psychiatry
The psychiatrists portrayed in the show are overwhelmingly Jewish. Tony notes that he chose Melfi because his choice was between a bunch of Jewish guys and a "paisan like me".
At a dinner party full of Jewish psychiatrists, a comment is made about Italians having big noses. Melfi notes that if she had made a similar remark about other groups represented at the table she would be called a bigot.
Melfi's Jewish psychiatrist. Incessantly pushes Melfi to drop Tony as a patient, dismissing him as a psychopath and beyond help. Is intimidated by Tony and fears getting assaulted by him (despite not knowing who he is and there being no hint of violence in the situation) when he encounters him in a parking garage. Is unethical: he casually breaks doctor-patient confidentiality by revealing to a large group of people that Melfi has Tony as a patient. Has a fat, butch-lesbian daughter who he prods for personal details about Melfi's son. Is strongly implied that Elliot manipulates Melfi and over-prescribes medication. For example, he prescribes strong medication intended to treat OCD because he views Melfi's treatment of Tony as a "compulsion".
>Saskia Kupferberg
Elliot Kupferberg's butch-lesbian daughter. Is involved with left-wing causes at Columbia. She encourages Meadow to volunteer at the South Bronx legal clinic helping immigrants and minorities. Brags that the clinic helps to reunite "crack babies" with their mothers.
Melfi's Family Psychiatrist
Jewish. Only appears in once scene. Melfi, her husband and son approach him for advice regarding whether or not she should continue treating Tony. He laughs it off, suggesting that she refer him to a psychiatrist specializing in "Mafia depression". He then reveals that his mother's uncle worked for Louis Buchalter, a notable Jewish mobster who worked for Murder Inc., remarking "those were some tough Jews".
Dr. Richard Vogel
AJ's Jewish psychiatrist. He encourages AJ to write a short story about his experience seeing a Somalian boy being beaten. He prescribes AJ medication for depression, but this doesn't prevent him from attempting suicide.
Dr. Krakower
Carmela's one-time therapist. Melfi's mentor. Ukrainian-Jewish. He encourages Carmela to leave Tony, which she eventually does. Krakower sounds pretty similar to Krakow (as in the concentration camp). Make of that what you will.
Owen Clark
Dov Ginsberg
Tony's financial advisor.
Amy Safir
Vice President at a film studio. Yale graduate. Claims to be friends with Quentin Tarantino and Vince Vaughn. Engaged to Chris's cousin. Works with Jon Favreau in the show. It's implied that she knows the Weinstein Brothers. Her and Chris have an affair. Chris remarks that it seems like Jews have their own Cosa Nostra in the Ivy League.
Julianna Skiff
Jewish real estate agent. Chris's mistress. Chris relapses into heroin addiction during the affair.
Fran Felstein
Tony's father's mistress. Claims to have slept with JFK. Uses Tony to get back money owed to her from Hesh. Bizarre attempts to seduce Tony.
Matt Testa
AJ's half-Jewish friend. Works with AJ at Blockbuster. Same last name as real-life Jewish mobsters Phil and Salvatore Testa. Rips off Blockbuster for 500 dollars worth of merchandise.
Orthodox Jews (ZZ Top)
Orthodox Jews who use Tony as a golem to settle a family dispute. They end up losing control of their business to Tony.
Ronald Pearse
Johnny Sack's Jewish lawyer.
Ronald Zellman
Corrupt Jewish state assemblyman. Participates in a HUD scam with Tony and Ralph. Was a hippie revolutionary in the sixties. Has a relationship with Tony's eastern European mistress.
Da Lux's Producer
Black gangster rapper Da Lux's producer. We never see his face, but he clearly has a Jewish accent.
Christian Zionism
When Tony is visited by an evangelical preacher in the hospital, Hesh's Jewish relative remarks that whatever one thinks of evangelical Christians, they're great friends of the Jews.
Israeli Ecstasy Dealer
Meadow remarks that Jackie Aprile's best friend was an Israeli ecstasy dealer.
Henry Lopez
Erwin Rommel
Tony makes the decision to kill his cousin, Tony Blundetto, after watching a documentary on the history channel about Erwin Rommel, the Nazi general. Tony has a longstanding fascination with WWII.
Islam and Jews
At Meadow's legal aid center, a Muslim family explains that a skating rink made their daughter take off her hijab, saying that it was a safety risk. They add that it would be a different story it it were a yamaka.
In The Sopranos, Jews are depicted as being wealthy, prominent and well-connected in the media, politics, medicine, and generally of poor moral character (even those who aren't connected to organized crime). They are generally left-wing politically. They are the leaders of the institutions which the show depicts as breaking down the traditional order (psychiatry, the media, entertainment, politics). This is directly acknowledged by the show's characters numerous times. This makes Tony's fascination with WWII, and with Rommel, all the more interesting.
Nathan Howard
RACE
The Sopranos makes no attempt whatsoever to be gentle or politically correct with respect to race. Blacks are almost exclusively violent thugs or degenerate rappers. The closest the show gets to doing the PC thing and blame whitey for their problems is when a black kid approaches the corrupt Jewish politician Zellman and asks him if there will be nice houses in the neighborhood now (a reference to the HUD scam). With the exception of the Jewish Noah, they are all portrayed as stupid savages.
Meadow's anti-racist hyperliberal politics during her high school and early college years are portrayed somewhat comically, and she seems to have abandoned them by the end of the series.
Rap music plays an important role in The Sopranos. AJ, attempting to find some joy in the midst of his depression, listens to rap just before attempting suicide. Rap is heard in Carmela's trip to France and Tony's trip to Italy, underlying the fact that globohomo Americanism is spreading all over the world, supplanting national cultures. Rap is a symbol of cultural decline and a transfer of power from whites to blacks, and, given the show's recognition of Jewish influence in the music industry, Jews.
Melfi is raped by a Hispanic immigrant in a parking garage midway through the series (notably, he's "employee of the month" at his place of work). Although the rapist is caught, he gets off on a technicality. Mefli and her family are outraged at the injustice, but her husband, who, unlike Tony, has great respect for the law and American institutions, is unable to avenge her. She is tempted to tell Tony who her rapist was, and enjoys the fantasy of him being cowed and terrified, but in the end chooses not to, symbolizing the moralistic cowardice and impotence of the white liberal upper-middle class.
Thomas Taylor
>Show about a fat piece of shit criminal imbecile >Based
Fuck the Sopranos
Gabriel White
AJ is briefly engaged to a Puerto Rican woman. It is heavily implied that she only accepts his proposal in the first place because of his family's wealth, and their entire relationship seems to be predicated on her being attracted to his family's power and wealth. Ultimately, she breaks off the engagement with him at the Puerto Rican day parade, a location which symbolizes her national and ethnic pride; she returns to her own tribe.
Tony Blundetto brutally beats his Korean business partner when he mispronounces "West Caldwell". The character had a lot pent up range about a bunch of things anyway, but it's telling that a racial/cultural difference is what pushes him over the edge.
We overhear a conversation between AJ's liberal high school teacher and another student. The teacher notes that the student's paper on the blues in the south should help in his college applications. This is an acknowledgment of the fact that racial left-wing views further one's academic and career prospects in modern America.
Chase Clark
Remember the Bar Mitzvah scene where they bashed the parking attendants head in and stole the Mercedes and all the Jew doctors were standing around saying how it was such a nice car.
Brayden Kelly
DECLINE OF TRADITION / MASCULINITY
The younger men and boys in The Sopranos tend to be irresponsible, decadent, beta, weak, etc. Tony admits that he dislikes his son for his weakness and resists getting a vasectomy because AJ is his only male heir. AJ is idiotic, disrespectful, cowardly and weak. Tony notes that he'd never make it in the mafia. Meadow's boyfriend Finn defers to Meadow for decisions and is generally meek and mild. Jackie Jr., while not as sheltered as AJ, was diagnosed with a learning disorder and is described by Junior as a "dumb fuck" who almost drowned in a foot of water. Matthew Bevilaqua and Sean Gismonte are sycophantic morons. Christopher is a drug addict who blames his problems on a "disease" which he has no control over and considers ratting out the family simply due to his dislike of Tony. The younger mobsters all lack either the practical intelligence or will of their older counterparts. By the end of the series, the old guys are pretty much the only ones left in the organization.
In the first episode, Tony says that it seems like the best is over, that he came in at the end. Although this could be taken as merely a statement on the mafia, it is representative of the show's attitude toward modern America. Everything is in decline: religion, music, culture, social and moral norms, etc. In the sixth season, some of the mobsters even consider letting the gay Vito remain in the family, noting that even the army now accepts them. This decline is happening despite (or perhaps because of) the relative wealth and high status of most of the characters, underlying the notion that economic prosperity is meaningless if the foundations of a nation/people/organization are weak.
Meadow begins the show as an anti-racist progressive. By the end of the show, she is in effect a tribal conservative, despite the fact that she wouldn't describe it in those terms. By the end of the show she's engaged to an Italian from within her family's social circle, is hyper-defensive of Italians, including her family's traditional customs, suspicious of government overreach, tells AJ to "block out" concerns about Bush's foreign policy and is weirded out by the fact that he's reading Al Jazeera. AJ, who is apolitical for most of the show, becomes hyper-interested in politics in the last season. He criticizes mourners at Bobby's funeral for still watching the Oscars, living in a media-induced hypnosis, and says that Bush let Bin Laden get away (he might as well have said that 9/11 was an inside job, but that was probably a bit too hot for HBO in the mid-2000's). He predicts that the US would go to war with Iran before Bush left office. AJ's political awakening has even more relevance when you consider the fact that the show acknowledges Jewish power in the media, government and entertainment industry. AJ may not have pieced together this by the end of the show, but it seems like David Chase did.
Joseph Morgan
Literally /this There is nothing based about a bunch of fucking mafia wops
They are a bunch of hypocrites
Nicholas Smith
Yikes.
Connor Young
Yeah I know Mad Men is pro-Jewish propaganda. I just said it's of interest, not that it's right-wing
Christopher Young
>Krakower Krakow is not a concentration camp, it's a city in Poland, Cracow, jews often have the names of the cities where they were numerous as surnames.
Jayden Taylor
If you find the life of a criminal scumbag to be “””based””” go find your local narco and suck his filthy cock
Elijah James
Italians aren't white
Oliver Morgan
>Mexican Intellectuals
Nicholas Smith
If you're NOT at least partly a psychopathic criminal by now, you will surely be killed in the near future when society finally breaks and all civility goes out the window. You and your family will be raped and plundered by those of us who value your things and find disgust in your pussy way of life.
>Julianna Skiff I'm impressed by your autism, leaf, particularly on all of the Jewish characters on the show. The Soprano's is and was my favourite show of all time, I watched it when it was current, as a teenager, on Channel 4/E4 here. Funnily enough, as a 30yo boomer now I've since come to realise that many of the movies and shows I used to enjoy as a kid/teen were actually full of kike/leftist propaganda. When I watch them back now it's all so apparent to see. But I don't get that sense with The Sopranos, at all. So you may well be onto something about it being redpilled. Also you're definitely right about decline of masculinity being represented in the show and thats no better depicted in the character of AJ, who contrasts his father. That time a bear wandered into the back yard and all he could do was cower and whine like a little boy while Carmela had to shoo the bear away. And being spoiled and fat as a young teen (Tony yells at him one time for eating an hour after dinner, and asks himself out loud how this kid can be his heir). Also going into a depression spiral. He's so much weaker and less masculine than his father.
Jace Perry
Fuck that bitch ass nigger, wearing sandals and shit.
It WAS based....until season 6 when they spent time on Vito's gay adventures. Then there was cuck Finn who didn't want to "take a job a minority could have."
Seriously, by season 6 you could see the liberal propaganda right front and center. It's like once Obama became President they, all of a sudden, started pushing openly liberal propaganda on the show.
>until season 6 when they spent time on Vito's gay adventures. I really never got this. Why the fuck did they spend so much time on it? Season 6 Part 1 was the worst because of this. Luckily they did bring it back with Part 2
Jeremiah Reed
Nah dude it's political fuck off wannabe jannynigger
For me the show has some (Left/feminist) points of view in it.
Dominic Clark
The decline of masculinity and indeed western civilization is represented in this clip too. Tony is trying to teach his kid about his family history, their tradition and his great grandfather who was a stonemason. And all AJ can do is think about room service and ask stupid questions.
Anthony Hughes
The Sopranos ended in 2007, before the half breed became President.
The season 5 and 6 storyline about Vito being a fag seemed pretty based to me. It portrayed faggotry as degeneracy and fag culture as disgusting. The only thing I can think of was maybe that “love” he had with the fireman in Maine which was portrayed in a neutral light if I remember correctly.
when they caught him. It was great. The whole vito arc was good.
Jaxson White
Very redpilled. An old Italian woman asked them to hassle a “nigger whore” always making noise up the street.
Blake Allen
It was actually based on a true story from the NY or NJ mafia. I think John D’Amato. I liked it. It showed how the mafia would deal with something like that.
Josiah Diaz
I like how he pokes his daughter's ass with the newspaper. That mulatto is as annoying as I remember. I love how Tony talks to him, he's very upfront and honest, and also keeps his composure. While the little monkey has a strop and walks off. Very alpha performance by Tony, Every dad who's daughter gets involved with a nog/kike needs to give the same talk to the cunt.
Yes, he is. His vanishing was the only bad part about the Sopranos, really. I wish that they would make a spinoff or something with the same actor.
Ryan Smith
I don't think it was liberal propaganda. The fact that the show had a gay character in it doesn't mean it was pro-gay. Vito was a piece of shit regardless, he killed an innocent person who had nothing to do with the mafia when he didn't really need to. It shows the collision between traditionalism and the modern age. When you take the show it's hard to believe that any of it is liberal propaganda.
Alexander Morris
>Then there was cuck Finn who didn't want to "take a job a minority could have." Meadow was always portrayed as an insufferable bleeding heart. Obviously her boyfriend would be no different. I don't think the creators of the show wanted the viewer to sympathize with them.
Julian Rodriguez
Matthew Weiner has said that Mad Men is about the experience of being Jewish in America (with Don Draper as the Jew). The end of the show is a celebration of the fusion of corporatism with anti-white globalism. It's about as anti-white as you can get. But it's about as good as anti-white propaganda gets. And I think they fucked up by making the early sixties look too good.
Kayden Murphy
You talking about this faggot here, the one he crashed into? The guy was parked on a tight road with no blinkers on, right after a blind turn. Even though it was the guys fault, Vito still took the blame and offered him I believe $600, more than enough for damage. The smarmy turd still won’t let it go, and insists on calling the cops. He deserved to get whacked.
Lots of actors portraying Italian characters aren't even Italians though, lots of them are straight up Jewish like Meadow. The only full Italians were Gandolfini and the guy playing Furio who is from Naples.
Oliver Hill
why are they italians and I'm not?
Luis Fisher
It's a realistic depiction of modern America. If you want a fantasy watch Harry Potter or some shit.
Justin Evans
>I think they fucked up by making the early sixties look too good.
True.
Xavier Hall
Truth here.
Gabriel Smith
Because you are either a mentally ill guy that keeps spamming the same pics over and over, a bot or a dumb shill who gets paid 1 cents per shitpost.
William Scott
paisono thinks he has balls. all the Mexican cartel try too hard to follow the Italian code. but at the end we act like niggers killing each other. I got out few years ago fucking younger kids got ahold of an ak now they think scarface lol
That and a lot of other things. His battle and eventual alliance with Campbell is representative of the alliance between Jews and old money wasps that took full force in the late 60s.
>get offered 600 bucks, more than enough money for the damage >still wanting to be a faggot nigger and waste tax dollars by getting the police involved yikes user
Oliver Jones
>being this insecure about your sexuality The shit was comic gold
Police are ZOG. Getting them involved or cooperating with them absolutely means opening yourself up to jewry.
Julian Hughes
That not what I'm referring to. Look just because you're gay doesnt mean everyone else is. That's about the season I turned it off. Tv is filled with the most degenerate shit.
Henry Sullivan
Nice. I'm trying to think of all these clips with kikes in now. I havent watched the Sopranos in a decade or more but I feel kind of inspired to rewatch now. I still have the boxsets on DVD, kek. Wasn't there a scene from one of the earlier series where Silvio and Paulie beat up a couple of kikes in like a hotel reception area, or am I imagining things?
>shlomo is an ignorant, arrogant control freak can't fault him on that one
Robert Taylor
i know you zoomers dont know america before 9-11 wrecked us, but this was a reflection of much mainstream thought back then. tony was likeable because he was like us, he said things we thought privately. yes, he was one of us.
but heres the rub, he was an anti hero. a depressed and psychotic bipolar criminal murderer. you agreed with him, and then afterwards you were meant to reflect on what the hell is wrong with you that you agree with a criminal.
this show was not redpilled, it was a psyop meant to associate everything not PC with criminal behavior.
but it was also a well made show. 10/10 mockingbird media.
