>explain.
Explain
Fake
The Fall of the West: The First Sign
penus el no a attacho
Wtf is that?Some tranny experiment?
Fuck this clown world
Mathew Barney - Cremaster movies, probably, or some other half-assed satanic art project.
Obvious Masonic underworld Mafia is obvious
bunch of masons standing around a mutilated eunuch, someone posted it in an /x/ thread. the dickless guy is dressed similar to another ritualised person.
(((THEM)))
jfk
here it is, the guy on the right, this pic is real im sure
Could it be related to pharma?
Two years ago I saw what has to be one of the most astonishing, visionary and enthralling films ever. It's called "Cremaster 3"(unfortunately only a portion of the film is available on Amazon.com dvd) It is crypticly enough the final fifth film
in the Cremaster Cycle from avant garde artist Matthew Barney.
So what makes Cremaster 3 so interesting? It is a 3 and a half hour meditation and meticulous look at Masonic ritual and rites, allegory, and history. Previously the only Freemason stuff I had seen in films were more of the sinister plot devices like From Hell.
What intrigued me about this film was the extreme dedication toward the
evaluation and study of Masonic lore. The film revolves around the figural entered apprentice, adorned in an apron who tries to ascend the Chrysler Building to reach the architect, Hiram Abiff. Every single second and detail of the movie revolves around mythology in FreeMasons, as well as a few things borrowed from Celtic mythology(which is more toward the end) The film starts off on the Isle of Giants in Ireland, but quickly goes to underneath the Chrysler Building in the 1920's where de Maloy boys are helping to carry a body to the upper level with older Masons. This is where the more esoteric elements come into play, as repeated throughout the film.
The movie is literlaly obsessed with geometric and architectual redundance, but such is to be expected in an art film...tasks and even the most ornate of
things are performed ad nauseum(such as the layering of cement in an elevator shaft, or the forming a cement like Solomon's Temple) The hubris of the entered apprentice is followed up through this unusual of settings...the actual Chryslter building(some of th emost stunning visuals are here not seen since Koyaanisqatsi, as may poles give way to hundred foot stremaers coming out the sides of the building) I've seen almost 2000 movies, and this one has to be one of the most jarring and beautifully filmed ones I've seen. I wish the whole film was on dvd, but I'm sure some of you have seen or at least read about it.
The overall feeling is one of uncomfortable sinister dread, although I feel it treats the Masonic subject with respect in its painstaking detail. An entire scene of 33rd degre geometric ritual is gone over and over in almost complete banal repetition toward the end for instance.
Matthew Barney is an influential and popular contemporary American artist. Best known for his elaborate sculptural installations combining performance and video, his most famous and ambitious project remains The Cremaster Cycle (1994–2002), a series of five feature-length films that explore creation, sexual differentiation, psychological identity, and mythology. Created in conjunction with Barney’s long-time collaborator, the composer Jonathan Bepler, Cremaster is characterized by its high production values and bizarre, Surrealist-inspired imagery. Born on March 25, 1967 in San Francisco, CA, Barney went on earn a football scholarship to attend Yale University, where he would become more interested in art than his initial pre-med studies. Of these early formative experiences, “everything changed when I got involved in sports,” Barney said. “Because that’s a situation where there’s a frame around the world and that world has everything—violence, victory, loss. That was the beginnings of what has become an aesthetic system that’s very similar: anything can happen within the frame. It’s what’s outside the frame that’s scary.” Today, Barney’s works are held in the collections of the Guggenheim Museum in New York, the Walker Art Center in Minneapolis, the Art Institute of Chicago, the Tate Gallery in London, and the San Francisco Museum of Modern Art, among others. He lives and works in New York, NY.
Cremaster is entry level artfag shit
Freemason initiation ceremony for a 33rd degree Mason, they are turned into a eunuch.
anyone want to have a go at explaining this? or is this bs too?
We're truly doomed aren't we.
>terminology like "Nazism" in 1871
No wonder people believe in Pizzagate
how do you know?
I thought about that, but then again if the mason's created nazism it would make more sense.
Yeah, it's Matthew Barney. Cremaster 5.
If you want to buy the film, it costs 1 million dollars. Or you can't torrent it.
Someone turn this black and white and put some incoherent edgy font in the corner.
That's Richard Serra on the left. lol.
he played hiram abiff too lol
Look up how many times famous politicians are photographed holding a mr potato head toy.
The doll is symbolic of them having 'removable parts' ie. their genitals or testicles having been removed.
Its a sign of the highest level of dedication to masonry.
His Guggenheim show was brilliant though. Didn't he date Madonna at one point or did I make that up?