Welcome to digital signal processing general. For the uninitiated, this thread is about using open source audio programming languages, to create instruments and generate sounds/music. These programming languages include, Csound, Supercollider, and PureData among others. I will be shareing some Supercollider code to get us started.
/DSP/
Hudson Powell
Other urls found in this thread:
synthesizer-cookbook.com
gsp.tamu.edu
midifile.sapp.org),
fabfilter.com
dmgaudio.com
eventideaudio.com
cdm.link
audioz.download
audioz.download
audioz.download
producerspot.com
twitter.com
Adrian Price
(
SynthDef.new(\pulse,{
|freq = 400, amp =0.5, phase= 0, width=0.5, atk=0.5,sus=1,rel=0.5, pan=0, mod= 10,mod2=20|
var sig, env;
env =Env.new([0,1,1,0],[atk,sus,rel]).kr(2);
sig = LFPulse.ar(freq + SinOsc.kr(mod+SinOsc.kr(mod2)),phase, width,amp);
sig = Pan2.ar(sig,pan);
Out.ar(0,sig*env);
}).add
)
Synth(\pulse,[\freq, 20,\mod, 30, \mod2, 10000]);
(
SynthDef.new(\blip, {
|freq = 100,amp=0.5,pan=0, atk= 0.05, sus= 0,rel=0.5, numharm=200|
var env, sig;
env=Env.new([0,1,1,0],[atk,sus,rel]).kr(2);
sig = Blip.ar(freq,LFNoise0.kr(numharm,100))*env*amp;
sig = Pan2.ar(sig,pan);
Out.ar(0,sig);
}).add
)
Synth(\blip,[\numharm, 200]);
(
Pdef(\bl, Pbind(
\instrument, \blip,
\dur, Pxrand([0.1,0.3,0.5],inf),
\freq, Prand([50,70,90,100],inf),
\numharm, Pseq([200,140,250],inf),
\amp, 0.55,
)).play
)
(
Pdef(\p1,Pbind(
\instrument, \pulse,
\dur, Pseq([2,0.5],inf),
\freq, Pseq([15,20,10,15,25,],inf),
\mod, Prand([20,30,25],inf),
\mod2, Prand([10000,9000,10500],inf),
)).play
)
Mason Sanchez
So what you got here is two simple synth definitions and two patterns to control them.
Cooper Adams
I don't know anything about electronics. How are so many people able to make music with signal generators? These things don't terminate in 1/4" outputs. Will it fry my mixer?
Levi Lopez
>DSPs are just for audio
Jow Forums everybody
Blake Mitchell
>dsp is about electronics
Caleb Bailey
>generalposting ass cancer
>calling anyone a brainlet
Jack Green
Can someone please explain to me why all of these audio programming languages are garbage? I've been working on my own for the past 2 years and already have more functionality than things that have been around for 20 goddamn years
Noah Hughes
>doing dsp in software
Michael Lopez
>not doing dsp with pencil and paper